Posts Tagged ‘brand identity’

Comedy Central Rebrands

comedycentral_logosLast  week, Comedy Central announced that they would be launching a new logo in January 2011. Launched in 1989 by Time Warner, Comedy Central was the first cable channel dedicated wholly to comedy-based  programming. It’s popularity and presence has grown from small time cable channel to being one of the most recognized cable stations on air. This growth was due to the early success of shows like South Park and The Chappelle Show to present day heavyweights like The Daily Show and The Colbert  Report. Suffice it to say that Comedy Central is all grown up now – a brand refresh seems like a  natural next step.

The  new logo is significantly different from the former, going from the colorful and bold illustrative logo with the words Comedy Central  brandished atop of buildings/globe to a much more sterile and simple  word mark. That is not to say that simple is necessarily a bad thing, it is just a huge contrast for the look of the network. The strength of the new logo lies within the clever typography; a humorous wink of “central”  spelled backwards and is upside down. It is well done, but the choice of type in both its all-caps and proportion, looks a little like the Cartoon Network’s.

That aside, the icon is made up of two C’s, one backwards C surrounded by a smaller C. Already there has been speculation that it looks like the  copyright symbol, and I believe that was the actual intention. If you  look closely at the brightly colored branded pieces below, the C icon is superscripted in the corner as if they are trying to convey they are “copyrighting” comedy. It’s an interesting solution once the intention is realized maybe suffering from being a little too clever for its own good.  The logo by itself is a bit lackluster – within its branding it’s refreshing and comes to life. Overall it is a smart and subtle solution. Appropriate for the digital space that it will occupy for the next decade. Nowadays it is no longer about a static singular logo but more about being able a wrap a brand around constantly evolving content/media.  This logo does that successfully.

Video explaining the new logo and launch: http://www.comedycentral.com/jan2011/

In this video this flashes across the screen:
“We   should explain…Our logo has changed. No longer do you see the big   buildings and globe that quite literally said COMEDY CENTRAL on top of   it. Please welcome the new mark. We affectionately call it the   COMEDYMARK. It works WAY F*CKING better than that other one we had. Big   building y globe, you served us well, but we moved on.”

comedy_central_characters
In  closing, a new logo for a beloved brand is always an uphill battle.  Unless of course the logo that is being updated is truly awful. In this  case it wasn’t.  Comedy Central is doing an excellent job launching it. Announcing the logo, showcasing how the brand is going to roll out  and defending both the new look and explaining the departure from the old look, is a very smart move.

Logorama

logoramaA few weeks ago I finally found the time to watch the movie Logorama, an entertaining 16-minute animated film, that is entirely made up of 2,500 different brand logos, icons and mascots. This came out last year and garnered an award at the Cannes Film Festival and later won the Academy Award this year for Best Animated Short Film.

What I thought was fascinating about this film was that it felt like a visual trivia game, where the viewer is watching and simultaneously guessing what all of the companies’ brands are. A brief synopsis: Police (Michelin men) chase an armed criminal (Ronald McDonald) in the cityscape of Los Angeles. During the chase, mascots from dozens of other companies (ie. Pringles, Pillsbury, Mr. Clean) make up the conversational characters as dozens of logos and brand icons literally fly by. There is a lot of subtle humor in it and it moves fast. So fast in fact, you want to watch it again.

After watching the movie, I felt conflicted. I loved it because it was well done and unexpected. I found the landscape of logos overwhelming, which I would guess is the point. As a designer, I loved seeing all the logos and can appreciate the talent and energy that went into creating them, but at the same time, at what point do we reach a brand saturation point? Is the world that designers are helping to create, becoming unnecessarily obtrusive to our everyday life? Let me know what you think, I would like to hear your thoughts.

AOL to Aol.

custom_1259697035747_new-aol-brandingIn recent weeks AOL, a brand we have long known and sort of forgotten about, has emerged with a new identity and brand with the new moniker “Aol.” (And yes, the period is included in the new name.) This new logo was designed by Wolff Olins, who designed controversial logos for London Olympics 2012, Wacom and NYC. This new logo is not without dissent either, it’s pretty basic, white san-serif font with a period placed over an assortment of nonsensical background images, which “change continuously in an effort to suggest the breadth of AOL’s content.” The period in the logo was added to suggest “confidence, completeness,” said Sam Wilson, managing director at the Wolff Olins New York office, by declaring that “AOL is the place to go for the best content online, period.”

AOL seems to be trying to find it’s footing after being under Time Warner’s thumb for the past nine years. Back in the 90′s AOL was the premier, pioneering Internet service provider. It was everywhere; becoming a catchphrase in itself. And who hasn’t seen You’ve Got Mail? But then it merged with Time Warner and instead of continuing it’s powerhouse status it became a punchline, synonymous with being outdated. Now it’s back and re-entering a landscape that has changed dramatically since its heyday. Here is a statement from AOL CEO and Chairman Tim Armstrong:

We have a new mission: to inform, entertain, and connect the world – not with more of the same but with extraordinary content experiences. This is an ambitious mission but we believe the internet needs better quality content. We have a lot of work to do, but we are hiring and developing the best creative talent in the world and we are focused on our mission of bringing world class content experiences and products to our consumers.

The goals seem lofty and vague, as does their new identity and branding. I get that they are trying to target a new generation of users by using trendy vector art and ironic imagery with their new Aol. splashed across them. They seem to have overlooked the fact that you could take any image (use your imagination here) and easily re-create the Aol. and place it over them, which only reinforces the weakness of the concept of the shifting images. They have made it exceptionally easy to break apart their brand identity and make a mockery of it. The motion graphics they use are well executed but are lacking any type of messaging or call to action, they seem more like an unfinished demo reel then an actual advertisement. The AOL homepage is exceptionally average and looks suspiciously like the Yahoo! page. It would be an improvement to widen the width to open it up more and have quality content reign over quantity and ad space.

Time will certainly tell if AOL survives and becomes relevant again. They have tough competition with the innovators over at Google, who continually come up with smart and user-friendly solutions. It is interesting to note that AOL’s CEO was a past Google Vice President. We’ll see what happens.