buy celexa | buy flagyl | buy synthroid | buy abilify | buy clomid

Art & Design Category

My Vista On Branding

I’ve been a TV addict my whole life.  It wasn’t, however, until I started working in marketing that I began to pay closer attention to commercials.  This past year there was a particular one  that was always running on TV promoting Vista Prints.

According to their website Vista Prints is an online service where you can create and customize affordable marketing materials for your business.  The ad spot that I kept seeing was part of Vista Prints campaign where they highlight businesses that have used Vista Print services. We met Tess who owns Gardening by Tess (high five for a woman-owned small business!)  The commercial tells us how Vista Prints helps Tess (and others) promote and market their services.  In the commercial Tess says “They help me stand out …”  This is where I disagree.

Before I go further, I should preface this with saying I actually like Vista Prints. I think it is a great resource for clients who have strict printing budgets or who need low quantity marketing materials.  My issue with this and most commercials from Vista Prints is that they devalue proper branding and marketing services.  Although they are a great resource, Vista Prints is not a replacement for the branding process. People often see commercials like this and then ask me “Why would I pay a company to design my collateral when I can go on Vista Prints spend $10 for 250 business cards?”   This is why.

 

The #1 problem with using a service like this without consulting a marketing expert is you will not have a brand that stands out.  A quick visit to the Vista Prints website and I was able to create an awfully close replica of Tess’ business card with my name.  Think of it like a nice suit. You (and anyone else in the market) can go to Express and buy a decent suit for $200. Your customization options are limited to sizing and a few styles.  Your other option is going to a professional tailor and getting a high quality custom made outfit that fits just you. Sure it will cost you, but you can pick your fabrics, colors and make sure the suit is exactly based on your measurements and your style.  Even if someone loved your suit and went to the same tailor they would not leave with the same garment as you.  A branding professional is like this tailor. They are going to listen to your organization’s needs (and if they are doing things right your marketing strategy)  to create a mark using truly custom visuals that represent your message and create a meaningful and strategic impression.

All in all, I do commend Tess for acknowledging the importance of cohesive branding however, I wish she would have instead opted for a proper branding effort that would have resulted in a look and feel that is true to her business. Her investment in branding would have surely made her business bloom.

Eating with Your Eyes, The Value of Image

Our amazing photographer, partner and fellow storyteller Brian Morowzcynski of Via Photos, guest posts on the value of image.

What is your organization’s image? How do paying clients perceive you? More importantly, what do prospective customers see when they encounter your brand? Are they encouraged to dial your phone number or walk into your store, or are they turned off for reason’s you’ll never know because they weren’t enticed to pick up the phone?

It’s difficult to consider abstract ideas like image and perception and whittle them into a spreadsheet for analysis. They’re variables that often go unconsidered and it’s easy to understand why. Determining what people think of your organization is about as finicky as catching a butterfly fluttering amid shifting winds. After all, what busy entrepreneur has time to sweat the the small stuff like the shape of her logo or the color scheme of his website. It’s true, we’re all pressed for time. But ignoring your organization’s image is done at your own peril.

Because everyone likes to eat, let’s compare your organization to a restaurant. If you’re a small operation, you probably can’t afford to offer clients a fast food meal. It’s too impersonal and you don’t have the traffic to warrant a drive-thru window. You need to offer every client the service, attention and time needed to make it easy to work with you. Your company might be more similar to a restaurant with sit down service – music playing, artwork displayed on decorated walls, mood lighting and staff wearing matching colors and attitudes. This is atmosphere, and although it can’t be eaten from a plate, it offers value by surrounding your meal, enhancing it’s flavors, inviting you to linger for another drink.

When your food arrives at a restaurant, what’s the first thing that you notice? It’s not the flavor. It’s the presentation, an impression on your eyes before your mouth. I’ve heard it said that people eat with their eyes. The same is true of your clients, regardless of your industry. There’s so much for them to interact with before they finally consume your product or service; web design to show them to their table, copy to present them their menu, photography for lighting and mood music. We don’t usually go to our favorite restaurants for the food alone. We go because we enjoy ourselves from the moment we walk in to paying the bill, which we’ll do in delight if all was right. It’s no different for your organization.

Business is rarely just a simple transaction, it’s an experience.

Image is the atmosphere of your organization. Trouble is, many don’t plan for their image because the results are tough to quantify. Image can be ignored if you’re a restaurant serving food from paper plates, but not if you want to offer an experience with real flatware instead of plastic forks. The good thing is, image can be molded like the atmosphere of a restaurant, it just takes consideration. That’s why collaborating with partners like Blue Daring and ViaPhotos offers the communication and strategy to set a course with photography to reflect the genuine personality of your organization.

Image presents an organization with the simplicity of a single photo or a national multimedia campaign. When it goes unconsidered, a company’s value begins to fray. But when planned with strategy and visual skill, image carries the value of your message with character, quirk, and clarity.

Image matters.

 

Portrait Primer

I’ve recently had the pleasure of art directing a few portrait photography sessions for our clients. We got some great results, and it’s a joy to work with stellar professionals behind the camera and  ’subjects’ who feel comfortable being photographed. But many people find the experience intimidating, and not knowing what to expect going into a session only heightens the effect. But have no fear! Here’s the inside scoop to a few common questions:

  • “What should I wear?” — If the designer or photographer you’re working with hasn’t mentioned anything to you about dress, ask if there’s something special you should wear. It’s also good to know ahead of time how ‘tight’ the framing of the shots will be—full body or just a headshot—so you can plan accordingly. But as with most things in life, it’s good to be prepared for a little more than what’s expected, as inspiration can strike during the shoot and a new direction set. When possible, avoid black (and especially black-on-black combinations)—even the nicest black suits and dresses look like big solid blobs when reproduced.
  • “Should I get my hair done?” — That’s certainly one way to look your best! But, really, that’s rarely necessary. A good compromise is to know ahead of time if there’s a bathroom or similar place nearby to freshen up, pick the lunchtime spinach from your teeth, and feel more confident heading into the shoot. Confidence is the real key to a great portrait!
  • “How long will this take?” — 45 minutes in a single location, once set up with lights, is a decent yardstick for individuals in a few different poses. But there are a lot of factors are at play here. How many different shots are desired? Are there multiple “scenes” or locations? Are you the solo star of the shoot, or one of several individuals being shot, or part of a group photo? The photographer and art director work together to plan these things out and will have a rough idea that should be communicated to you. And if you’re on a tight timeframe, please communicate that as soon as possible, preferably during the planning stages.
  • “Why all the gear?” — What’s the big fuss with all these lights, battery packs, umbrella reflectors…? Most planned portrait shots involve powered lights (called ‘strobes’) to balance out the existing light in a room and give a ‘fuller’ appearance to the shot with better defined highlights and shadows. It may seem like overkill, but it makes a huge difference in the quality of the shot.
  • “Who’s that?” — You can expect to see an assistant or two on location who helps the photographer set up equipment, calibrate lights, and tidy up the area. They ensure that photographer stays behind the lens, so shoots can proceed more efficiently.
  • “How’s it looking?” — It’s not at all unusual to have dozens (and dozens!) of frames shot without you, dear “subject,” having any idea of how the photos are turning out. And that can be a little disconcerting! While it’s best to let the photographer do their thing, know that it’s perfectly acceptable to ask for a peek after a long string of shots.

Have a great shoot, and remember to have fun!